Hegel on the poetry of the world: quantity and quality

Strokkur geyser, Iceland

‘At first, then, quantity as such appears in opposition to quality; but quantity is itself a quality, a purely self-related determinateness distinct from the determinateness of its other, from quality as such. But quantity is not only a quality; it is the truth of quality itself, the latter having exhibited its own transition into quantity. Quantity, on the other hand…is…quality itself in such a manner that apart from this determination there would no longer be any quality as such. The positing of the totality requires the double transition, not only of the one determinateness into its other, but equally the transition of this other, its return, into the first. …quality is contained in quantity, but this is still a one-sided determinateness. That the converse is equally true, namely, that quantity is contained in quality and is equally only a sublated determinateness, this results from the second transition – the return into the first determinateness. This observation on the necessity of the double transition is of great importance throughout the whole compass of scientific method.’

G.W.F.Hegel, Hegel’s Science of Logic, (Vol. I The Objective Logic) Trans., A.V.Miller, Humanities Press, New York, 1976, 323

Planet earth at twilight

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Images: top/bottom

Hegel’s ‘Reason’ – the cognition of God who is Absolute Reason

The rose in the Rosicrucian cross is a concentration of mystical meanings including that of unfolding Mind. ‘To recognise reason as the rose in the cross of the present and thereby to enjoy the present, this is the rational insight which reconciles us to the actual…’ Hegel’s Philosophy of Right, Preface.

‘Philosophy in general has God as its object and indeed as its only proper object. Philosophy is no worldly wisdom, as it used to be called; it was called that in contrast with faith. It is not in fact a wisdom of the world but instead a cognitive knowledge of the non-worldly; it is not cognition of external existence, of empirical determinate being and life, or of the formal universe, but rather cognition of all that is eternal – of what God is and of what God’s nature is as it manifests and develops itself.’

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‘Besides, in philosophy of religion we have as our object God himself, absolute reason. Since we know God who is absolute reason, and investigate this reason, we cognise it, we behave cognitively.’

*

G.W.F.Hegel, Lectures on the Philosophy of Religion Vol. I, Ed., Peter C. Hodgson, Trans., R.F.Brown, P.C.Hodgson, J.M.Stewart, Clarendon Press, Oxford, 2007, 116-7, 170

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Hegel’s cultural supremacism and the myth of Western ‘Reason’

The rose in the Rosicrucian cross is a concentration of mystical meanings including that of unfolding Mind. ‘To recognise reason as the rose in the cross of the present and thereby to enjoy the present, this is the rational insight which reconciles us to the actual…’ Hegel’s Philosophy of Right, Preface.

‘(The Oriental spirit) remains impoverished, arid, and just a matter for the understanding. For this reason we find, on the part of Orientals, only reflections, only arid understanding, a completely external enumeration of elements, something utterly deplorable, empty, pedantic, and devoid of spirit, an elaboration of logic similar to the old Wolffian logic. It is the same with Oriental ceremonies.

This is the general character of Oriental religious representations and philosophy. There is, as in their cultus, on the one hand an immersion in devotion, in substance, and so the pedantic detail of the cultus – a vast array of the most tasteless ceremonies and religious activities – and on the other hand, the sublimity and boundlessness in which everything perishes.

There are two Oriental peoples whom I wish to mention, the Chinese and the Indians.’

G.W.F.Hegel, Lectures on the History of Philosophy 1825-6 Volume I: Introduction and Oriental Philosophy, Together With the Introductions from the Other Series of These Lectures, Trans. Robert F. Brown and J.M. Stewart, Clarendon Press, Oxford, 2009, 106

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From a walk on one’s mystical head to walking on one’s material feet

A little drop of galaxy

‘The philosophical way of putting the facts is no mere whim, once in a way to walk on one’s head for a change, after having walked for a long while on one’s legs…it is because the method of physics does not satisfy the Notion, that we have to go further.’

G.W.F.Hegel, Hegel’s Philosophy of Nature, Part Two of the Encyclopaedia of the Philosophical Sciences (1830), Trans., A.V.Miller, Clarendon Press, Oxford, 2004, 10

‘The mystification which the dialectic suffers in Hegel’s hands by no means prevents him from being the first to present its general forms of motion in a comprehensive and conscious manner. With him it is standing on its head. It must be inverted, in order to discover the rational kernel within the mystical shell.’

Karl Marx, Capital, vol. 1, Postface to the Second Edition 1873, Penguin, London, 1982, 103

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Nietzsche, Western mysticism and philosophy’s concealed priesthood

Francisco de Zurbarán (1598-1664), ‘Saint Francis of Assisi in His Tomb’, 1630-1634, oil on canvas, Milwaukee Art Museum

Francisco de Zurbarán (1598-1664), ‘Saint Francis of Assisi in His Tomb’, 1630-1634, oil on canvas, Milwaukee Art Museum

Philosophy, rather than some abstract ‘love of wisdom,’ should be a critical practice – of never accepting ‘at face value’ a person’s statements (particularly those of a philosopher) but of always analysing those statements, looking for the inconsistencies, for what is really being argued, seeking to understand how it is being argued – and of developing one’s own argument in response.

This should be all the more so in the case of Nietzsche, who was a master rhetorician, and more broadly, with regard to the impact of mysticism on Western culture. Mysticism (its primary Western form Neoplatonism) has provided the theoretical justification and tools both for what philosophers have presented as the achievements of the most rigorous thought, the most punctilious ‘reason’ and for an attack on that.

Nietzsche is exemplary of what happened in philosophy, particularly after the late eighteenth century, in response to the rise of science. In a nutshell, God was brought from heaven and placed – concealed – within. Nietzsche himself identified a concealed priesthood in philosophy1 – a priesthood Hegel overtly argued for in his Lectures on the Philosophy of Religion.2 Nietzsche and Hegel themselves were of that priesthood.

Unless one is familiar with mysticism (how it is expressed, its theory and developments on it) one cannot fully appreciate its pervasive influence. Nietzsche’s philosophy, from The Birth of Tragedy (in which he repeatedly referred to the Primal Oneness and paraphrased the core simile of the sculptor in The Enneads) to his final published work The Will to Power (which contains, in its final ‘aphorism,’ a synopsis of The Enneads) is suffused with the influence of mysticism – particularly Neoplatonism.

Nietzsche was through and through a man of ‘god’ (he came from a family of Lutheran pastors and was referred to when he was young as ‘the little pastor’). This bowerbird told us that the Christian God (which he hated, not least, because he was so damaged by it) was dead (he got the ‘death of god’, as did Hegel, from a Lutheran hymn) only so his god, a Dionysian Übermensch, similarly tortured and sacrificed like Christ (whom Nietzsche loved), could appear centre stage.

He, like many before and after on this matter, feared the disapproval of his fellow educated. Safranski wrote that, wanting to read the writing of Max Stirner (Johann Caspar Schmidt – Marx and Engels referred to him in The German Ideology as ‘Saint Max’), Nietzsche sent one of his students (Adolf Baumgartner) to the Basel library in 1874 to get it. On another occasion, Safranski reports, he was quoted by his friend Ida Overbeck as saying that she would not let on that he was familiar with Stirner’s writing.

Nietzsche was accused of not only having been influenced by Stirner but of having plagiarised him. Safranski quotes one contemporary of Nietzsche’s having written that Nietzsche would have been ‘permanently discredited in any educated milieu if he had demonstrated even the least bit of sympathy for Stirner’. (Rudiger Safranski, Nietzsche, A Philosophical Biography, Trans., Shelley Frisch, Granata Books, London, 2002, 126)

Similarly, the lyricism, the centrality of creativity and the progression towards unity in the philosophy of Plotinus (and developments on it) became absorbed into Nietzsche’s philosophy (as it had been into Hegel’s) as an anchor for a Romanticism that had outlived its time, against the rising tide of the Common Man.

Once the learned and deep thinkers who had so thoroughly rejected the Neoplatonic vitalism of the outcast Nietzsche’s philosophy came to appreciate its usefulness (as they did Bergson’s equally vitalist Neoplatonism around the same time) against the rise of science, against the acknowledgement that we can and do know the world and particularly against materialism with its recognition of the primacy of objective reality (‘matter’) over consciousness and thought – their response changed and Nietzsche’s ascent – in memoriam – was underway.

Other examples: the same secrecy and denial was held by many with regard to their avid study of the writing of Spinoza and by Schelling, likewise, with regard to Swedenborg. And it is all in the same area – of ‘subjectivism’ (‘pantheism,’ mysticism etc.)’.

In hiding and denying this influence, academic philosophers – who have arrogated behind cloistered walls what Socrates practised on the streets of Athens and gave his life for – have utterly failed in both social and intellectual responsibility.

I have set up this blog to contribute to exposing and addressing their failure. I should also add that with the passing of those stages of capitalist ideology known as ‘modernism’ and increasingly, ‘postmodernism’, some academics are slowly coming to acknowledge and engage with this ‘unpleasant’ – and dangerous ‘subjectivism’ (‘dangerous’ because to do so threatens to expose not only so much dishonesty – particularly by career philosophers – but the central cultural arrogance they serve – that we in the West are the bearers of Reason and it is this reason that has enabled us to achieve all that we have).

To recognise the immense contribution mysticism has inspired in Western culture, to understand its ‘reason’ and to stop appropriating achievements made on that basis to a Reason foreign to it – I refer to the Neoplatonic distinction between the reason of dynamic unity and that of static analysis, between that which was for Hegel ‘speculative’ and that which separates, which pulls apart – would only be to the great benefit of philosophy.

Magee wrote ‘an appreciation of the role of mystical ideas in the thought of Hegel and other modern thinkers opens new vistas, new paradigms for the history of modern philosophy and for the philosophy of history. Modernity is a project, a social and historical movement with a linear trajectory: from unreason to reason, superstition to science, domination by nature to dominion over it, mastery and slavery to universal freedom, darkness to light.’3

I strongly recommend Stephen MacKenna’s magnificent translation of The Enneads (abridged) and William Franke’s two volume anthology On What Cannot be Said, which exemplifies the extent to which mysticism has shaped and continues to shape Western culture and its reason.

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Notes

1. ‘The decisive sign that reveals that the priest (-including the concealed priest, the philosopher) has become master not only within a certain religious community but in general is that décadence morality, the will to the end, counts as morality in itself, is the unconditional value everywhere accorded to the unegoistic and the hostility accorded the egoistic.’
Friedrich Nietzsche, Ecce Homo 1908, Trans. R.J.Hollingdale, Introduction Michael Tanner, Penguin, 2004, 66-67

2. ‘Instead of allowing reason and religion to contradict themselves, we must resolve the discord in the manner appropriate to us – namely, reconciliation in the form of philosophy. How the present day is to solve its problems must be left up to it. In philosophy itself the resolution is only partial. These lectures have attempted to offer guidance to this end.
Religion must take refuge in philosophy. For the theologians of the present day, the world is a passing away into subjective reflection because it has as its form merely the externality of contingent occurrence. But philosophy, as we have said, is also partial: it forms an isolated order of priests – a sanctuary – who are untroubled about how it goes with the world, who need not mix with it, and whose work is to preserve this possession of truth. How things turn out in the world is not our affair.’
G.W.F.Hegel, Lectures on the Philosophy of Religion, Vol. III, Ed., Peter C. Hodgson, Trans., R.F.Brown, P.C.Hodgson, J.M.Stewart, Clarendon Press, Oxford, 2007, pp. 161-162

Plotinus wrote ‘This is the life of gods and of the godlike and blessed among men, liberation from the alien that besets us here, a life taking no pleasure in the things of earth, the passing of solitary to solitary.’
Plotinus, The Enneads, (Abridged), Trans. Stephen MacKenna, Penguin, London, 1991, VI, 9.11, p. 549

3. Glenn Alexander Magee, ‘Hegel and Mysticism’ in Frederick C. Beiser, Ed., The Cambridge Companion to Hegel and Nineteenth-Century Philosophy, Cambridge University Press, Cambridge, 2009, 253-280, 280

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Hegel, mystic, and the ‘Reason’ of the ‘master’ race

The Abduction of Europa, Rembrandt, 1632. Oil on oak panel, Getty Centre, Los Angeles.

‘the Old World exhibits the perfect diremption into three parts, one of which, Africa, the compact metal, the lunar principle, is rigid through heat, a land where man’s inner life is dull and torpid – the inarticulate spirit which has not awakened into consciousness; the second part is Asia, characterised by Bacchanalian extravagance and cometary eccentricity, the centre of unrestrained spontaneous production, formlessly generative and unable to become master of its centre. But the third part, Europe, forms the consciousness, the rational part, of the earth, the balance of rivers and valleys and mountains – whose centre is Germany. The division of the world into continents is therefore not contingent, not a convenience; on the contrary, the differences are essential.’

G.W.F.Hegel, Hegel’s Philosophy of Nature, Part Two of the Encyclopaedia of the Philosophical Sciences (1830), Trans., A.V.Miller, Clarendon Press, Oxford, 2004, 285

‘The principle of the European mind is, therefore, self-conscious Reason which is confident that for it there can be no insuperable barrier and which therefore takes an interest in everything in order to become present to itself therein. …In Europe, therefore, there prevails this infinite thirst for knowledge which is alien to other races. …the European mind…subdues the outer world to its ends with an energy which has ensured for it the mastery of the world.’

G.W.F.Hegel, Hegel’s Philosophy of Mind, Part Three of the Encyclopaedia of the Philosophical Sciences (1830), Trans., William Wallace, Clarendon Press, Oxford, 1971, 45

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What comprises the reason that this European master of ‘Reason’ and ‘the rational’ asserts? He rightly looks past the propositional but adheres to the linguistic and conceptual. Is it not philosophic to question beyond these as well? Does not his own life and work provide ample justification?

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On the mystical shaping of self

Auguste Rodin, ’Le Penseur’, 1904, bronze, Musée Rodin, Paris. A testament to both patriarchy and the ‘feminine’ reason of the mystical.

One of the greatest, most fruitful and resonant metaphors in Western culture

From Plotinus:

‘But how are you to see into a virtuous Soul and know its loveliness? Withdraw into yourself and look. And if you do not find yourself beautiful yet, act as does the creator of a statue that is to be made beautiful: he cuts away here, he smoothes there, he makes this line lighter, this other purer, until a lovely face has grown upon his work. So do you also: cut away all that is excessive, straighten all that is crooked, bring light to all that is overcast, labour to make all one glow of beauty and never cease chiselling your statue, until there shall shine out on you from it the godlike splendour of virtue, until you shall see the perfect goodness surely established in the stainless shrine.’

The Enneads, Trans., Stephen MacKenna, Penguin, London, 1991, 54, 1.6.9

through Christianity:

‘A sculptor who wishes to carve a figure out of a block uses his chisel, first cutting away great chunks of marble, then smaller pieces, until he finally reaches a point where only a brush of hand is needed to reveal the figure. In the same way, the soul has to undergo tremendous mortifications at first, and then more refined detachments, until finally its Divine image is revealed.’

through Catholicism

through Cusanus:

‘For the wise thought as if [along the following line]: a craftsman [who] wants to chisel a statue in stone and [who] has in himself the form of the statue, as an idea, produces – through certain instruments which he moves – the form of the statue in imitation of the idea’

De Docta Ignorantia II.10, in Jasper Hopkins, Nicholas of Cusa On Learned Ignorance (De Docta Ignorantia, 1440), The Arthur J. Banning Press, Minneapolis, 1985, 112

through Nietzsche:

‘Man is no longer an artist, he has become a work of art: the artistic power of the whole of nature reveals itself to the supreme gratification of the primal Oneness amidst the paroxysms of intoxication. The noblest clay, the most precious marble, man, is kneaded and hewn here, and to the chisel-blows of the Dionysiac world-artist there echoes the cry of the Eleusinian mysteries, “Do you bow low, multitudes? Do you sense the Creator, world?”‘

Friedrich Nietzsche The Birth of Tragedy Out of the Spirit of Music (1872) Penguin, Trans., Shaun Whiteside, Ed., Michael Tanner 1993, 18

through Foucault:

‘This transformation of one’s self by one’s own knowledge is, I think, something rather close to the aesthetic experience. Why should a painter work if he is not transformed by his own painting?’

in Michel Foucault, Politics, Philosophy, Culture: Interviews and Other Writings 1977-1984,  Ed., Lawrence D. Kritzman, Routledge, London, 1990, 14

And what does the concealed priesthood in academic philosophy, who have failed so profoundly in their social and intellectual responsibility have to say about all this mysticism in their and our midst?

The stupid mystic Wittgenstein spoke for them: ‘What we cannot speak about we must pass over in silence.’

Ludwig Wittgenstein, Tractatus Logico-Philosophicus (1921), Trans., D. F. Pears and B. F. McGuinness, Routledge, New York, 2005

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What does materialism have to do with mysticism?

Michelangelo, ‘The Awakening Slave’, marble, c. 1520-23, Galleria dell’Accademia di Firenze, Florence. A profound feeling for the dynamic physical world, informed by Neoplatonism.

Not only is materialism indebted to mysticism – as Marx implicitly acknowledged when he correctly described Hegel’s philosophy as mystical1 – mysticism and its influence pervade Western culture.

The contribution of mysticism in all areas has been profound – to literature, the visual arts, religion, particularly to and through philosophy with its concealed priesthood (which priesthood was identified by the Dionysian priest Nietzsche), to science – it inspired Copernicus to the greatest scientific hypothesis (the Divine Light not the earth is at the centre of the world), and Kepler (in a wonderful yet imperfect world the planetary orbits are elliptical, not circular).

In the West its primarily Neoplatonic form, in reflecting the contradictory, poetic dynamism of the world and having been ‘stood on its feet’ by Marx became the philosophical engine of dialectical materialism itself.2

We in the West, on the back of all that has been achieved, believe a monumental lie, a monumental arrogance, a monumental delusion – that while others worship idols, stare at their navels, are committed to ‘failed’ or ‘backward’ ideologies or are obsessed with filial piety, we have risen above this to become the triumphal bearers of (linguistic, conceptual) ‘Reason’.

We wear this self-awarded badge as a cultural definition. It is the belief we have relied on to most distinguish the West from the rest.

The impact of mysticism argues against this. Linguistic reason, bounded, manipulable and governed by rules and a core tool of all authoritarians and ideologues from Plato onwards is not the only form of reason. At the heart of mysticism is another – powerful and fluid, complex, subtle and evanescent. And in the inspiration of its ‘connectedness’, immensely creative.

Linguistic reason draws on this ‘connectedness’ as its proponents seek to contain and deny it. The artist and theologian Plato is a prime example. I refer you to the lyrical power of the Ion

For a Poet is indeed a thing ethereally light, winged, and sacred…

When we wake in the middle of the night with the solution to a long-standing problem, had we been dotting every ‘i’ and crossing every ‘t’, or might trotting chairs and fluttering wings have borne fruit in creative ‘space’?3

Or when you round a corner and bump into a stranger – no time for considered words and structured sentences – think of the richness, at multiple levels, of what has taken place in your brain – in a moment’s silence. Such a cognitive experience (that of ‘first impressions’) is so intense it merges seamlessly with the physical. This thinking is the ever-present underlay of what is done linguistically.

Intuitive thought draws most directly on our connectedness – to all that comprises us, to what we remember, and to the world. It provides us with perhaps our deepest cognitive experience of the world. That this has been given mystical meaning does not detract from its objective nature and potential.

In considering what comprises ‘reason’, the materialist must begin with how the brain functions in totality, recognising that its functions bear on the whole dialectically, that they are inseparable and plastic, and not focus only on the brain’s capacity for linguistic expression.

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Notes

1. Marx wrote: ‘I therefore openly avowed myself the pupil of that mighty thinker…The mystification which the dialectic suffers in Hegel’s hands by no means prevents him from being the first to present its general forms of motion in a comprehensive and conscious manner. With him it is standing on its head. It must be inverted, in order to discover the rational kernel within the mystical shell.‘ Karl Marx, Capital, vol. 1, Postface to the Second Edition 1873, Penguin, London, 1982, p. 103.

2. See William Franke’s two volume anthology On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature, and the Arts, University of Notre Dame Press, Notre Dame, Indiana, 2007

3. Hegel himself wrote ‘it is also inadequate to…(say) vaguely that it is only in the waking state that man thinks. For thought in general is so much inherent in the nature of man that he is always thinking, even in sleep. In every form of mind, in feeling, intuition, as in picture-thinking, thought remains the basis.’
G.W.F.Hegel, Hegel’s Philosophy of Mind, Part Three of the Encyclopaedia of the Philosophical Sciences (1830), Trans., William Wallace, Clarendon Press, Oxford, 1971, 69

The philosophy of Plotinus: on contemplation

Pablo Picasso, Portrait of Wilhelm Uhde, 1910. Oil on canvas, private collection. 'No doubt the wisdom of the artist may be the guide of the work; it is sufficient explanation of the wisdom exhibited in the arts; but the artist himself goes back, after all, to that wisdom in Nature which is embodied in himself; and this is not a wisdom built up of theorems but one totality, not a wisdom consisting of manifold detail co-ordinated into a unity but rather a unity working out into detail.’ Enneads V.8.5. The ‘faceting’ of ‘Analytic Cubism’ could be interpreted as depicting the ghostly, fragmentary nature of material existence at the same time as seeking to evoke the second hypostasis, Intellect.

The object dissolved in the unity of consciousness: Pablo Picasso, Portrait of Wilhelm Uhde, 1910. Oil on canvas, private collection. ‘No doubt the wisdom of the artist may be the guide of the work; it is sufficient explanation of the wisdom exhibited in the arts; but the artist himself goes back, after all, to that wisdom in Nature which is embodied in himself; and this is not a wisdom built up of theorems but one totality, not a wisdom consisting of manifold detail co-ordinated into a unity but rather a unity working out into detail.’ Enneads V.8.5.
The ‘faceting’ of ‘Analytic Cubism’ could be interpreted as depicting the ghostly, fragmentary nature of material existence at the same time as seeking to evoke the second hypostasis, Intellect.

14.10.1998

But how are you to see into a virtuous Soul and know its loveliness? Withdraw into yourself and look. And if you do not find yourself beautiful yet, act as does the creator of a statue that is to be made beautiful: he cuts away here, he smoothes there, he makes this line lighter, this other purer, until a lovely face has grown upon his work. So do you also: cut away all that is excessive, straighten all that is crooked, bring light to all that is overcast, labour to make all one glow of beauty and never cease chiselling your statue, until there shall shine out on you from it the godlike splendour of virtue, until you shall see the perfect goodness surely established in the stainless shrine.

The Enneads I.6.9

Plotinus’ Enneads are built on contemplation. Its practice enables Soul to rise to Intellect. Inseparable from the notion of will, contemplation is the self-directed and self-contained thought of the higher realm. For Plotinus contemplation, thought and life are synonymous. They are most true and perfect in Intellect. The contemplation of Ideas is above the contemplation of images and the contemplation of the Good is above the contemplation of Ideas.

Plotinus differentiated between contemplation and reasoning,1 defining ‘reasoning’ as ‘the research into what a thing has in itself’, into that which exists independently. He asked whether ‘research’ means not yet possessing.2 Again, contemplation is not concerned with the mass, size or shape of matter perceived by the senses. It draws upon a higher vision which nurtures the Soul in its purpose3

Plotinus wrote of ‘creative contemplation’.4 Contemplation is perfect creative activity, and the latter occurs spontaneously when the former is entered into. In its activity, contemplation creates what is contemplated – from the weak and dreamlike contemplation underlying creation by Nature to that by Soul which in its contemplating (since it is more complete and therefore more contemplative than Nature) gives birth in a way and to a product superior to that of Nature.

‘And my act of contemplation makes what it contemplates, as the geometers draw their figures while they contemplate…What happens to me is what happens to my mother and the beings that generated me, for they, too, derive from contemplation, and it is no action of theirs which brings about my birth; they are greater rational principles, and as they contemplate themselves I come to be.’5

Contemplation is the true source of all production6 and activity and it is the goal to which these aspire at every level, from the earth and plants of Nature, upwards to the Soul’s contemplation in Intellect of the One.7 Because it is not perfect, Soul is eager to penetrate and unite with the object of its contemplation which is for it an object of knowledge.8

Plotinus distinguished between creative activity in Intellect and in this world. Though also – like the Soul(s of the strong) – driven by recollection, a longing for inward vision, and the desire to share that vision, those with weak souls create an object in the sensory world as a focus for outward sight – a poor imitation of the object of inward vision and of the contemplative process of and in the other world. We contemplate in that one in order to create all else, by becoming One.9

‘Men, too, when their power of contemplation weakens, make action a shadow of contemplation and reasoning. Because contemplation is not enough for them, since their souls are weak and they are not able to grasp the vision sufficiently, and therefore are not filled with it, but still long to see it, they  are carried into action, so as to see what they cannot see with their intellect. When they make something, then, it is because they want to see their object themselves and also because they want others to be aware of it and contemplate it, when their project is realised in practice as well as possible.’10

In Intellect, contemplation (thinking), substance and being are the same. In it, there are no parts but there is complete unity and identity of the ‘knowing faculty’ (Soul – become the activity of knowing) and the non-physical, known object of its knowledge (Being). Soul enters Idea as Idea infuses Soul.11

Plotinus proposed a method for ‘dematerialising’ by contemplation the visible universe comprised of separate elements in order to ‘see’ that of the spiritual intelligible in which all elements have no perceptible shape, magnitude, temporal or spatial difference – since each is all, and all, though distinct, are an infinite one.

‘Let us then apprehend in our thought this visible universe, with each of its parts remaining what it is without confusion, gathering all of them together into one as far as we can, so that when any one part appears first, for instance the outside heavenly sphere, the imagination of the sun and, with it, the other heavenly bodies follows immediately, and the earth and sea and all the living creatures are seen, as they could in fact all be seen inside a transparent sphere. Let there be, then, in the soul a shining imagination of a sphere, having everything within it, either moving or standing still, or some things moving and others standing still. Keep this, and apprehend in your mind another, taking away the mass: take away also the places, and the mental picture of matter in yourself, and do not try to apprehend another sphere smaller in mass than the original one, but calling on the god who made that of which you have the mental picture, pray him to come. And may he come, bringing his own universe with him, with all the gods within him, he who is one and all, and each god is all the gods coming together into one; they are different in their powers, but by that one manifold power they are all one; or rather, the one god is all; for he does not fail if all become what he is; they are all together and each one again apart in a position without separation, possessing no perceptible shape – for if they did, one would be in one place and one in another, and each would no longer be all in himself…nor is each whole like a power cut up which is as large as the measure of its parts. But this, the [intelligible] All, is universal power, extending to infinity and powerful to infinity; and that god is so great that his parts have become infinite…’12

Everything that exists and happens in the higher universe has its poor copy in this one – objects in this universe are the replicas of Forms in the other, physical reason the replica of contemplative reason, physical sight the replica of the vision of Intellect, physical activity in the creation of an object to be seen with a vision limited to the sensation of that object the replica of contemplative activity in the creation of an object which enables vision.

One acts in and engages with this world because one’s capacity for contemplative activity, for vision, is lacking. In Intellect, through contemplation, the subject’s thought and the object of desired knowledge (that is – being, itself the product of contemplation) have identity as self-living sight and real substance, as the partless essence of what is, complete within itself.

‘…as contemplation ascends from nature to soul, and soul to intellect, and the contemplations become always more intimate and united to the contemplators, and in the soul of the good and wise man the objects known tend to become identical with the knowing subject, since they are pressing on towards intellect, it is clear that in intellect both are one, not by becoming akin, as in the best soul, but substantially, and because thinking and being are the same.’13

The wise man is so because he has become vision, directed within himself.14 In contemplating (creating and seeing) eternity within oneself, one moves towards it.15 In bringing one’s contemplation to vision, one perceives substance from within it,16 and comes to unity with oneself. One contemplates…(One)self – as the god ‘silently present’. 17

‘But whoever has become at once contemplator of himself and all the rest and object of his contemplation, and, since he has become substance and intellect and “the complete living being”, no longer looks at it from outside – when he has become this he is near, and that Good is next above him, and already close by, shining upon all the intelligible world. It is there that one lets all study go…’18

Contemplation and living Being unite in Intellect as truth, beauty, eternal life and vision. The life (activity) of ‘Mind’ is far superior, far more vital, creative and real, than life in this world.

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Notes

1. On this point which is crucial not only to an understanding of this Platonic/Neoplatonic current in philosophy and its influence on the Western visual arts, but, more broadly, to an understanding of how our reasoning functions, Plotinus, like Plato, confusingly used the term ‘reason’ both in reference to an activity of the physical body and the activity of Soul. For Plato and Plotinus, the former activity is concerned with the material world and the latter with contemplation of and in the spiritual. As with everything in the two realms, the first reason is the inferior copy of the latter. Ficino’s contribution to this confusion of reason as a function of matter with (disembodied) spiritual contemplation is exemplary: ‘Reason by itself grasps the incorporeal Reasons of all things…reason investigates heavenly things, and does not have a seat of its own in any part of the body, just as divinity also does not have a particular seat in any part of the world…’ followed immediately by ‘Reason…perceives not only those things which are in the world and the present, as sensation does, but also those which are above the heaven, and those which have been or will be.’ Commentary on Plato’s Symposium on Love, Trans. J. Sears. Dallas: Spring Publications, 1985, Speech V, Chapter 2, pp.84-85.

2. Enneads, III,8,3

3. ‘When therefore he who is embarked on the contemplation of this kind imagines size or shape or bulk about this nature, it is not Intellect which guides his contemplation because Intellect is not of a nature to see things of this kind, but the activity is one of sense-perception and opinion following sense-perception.’ VI,9,3. Thus, an attempt to accurately depict the physical appearance of a person or an object, because it would focus the viewer’s attention on the sensory world, is not only not necessary but might distract the Soul from its purpose. Porphyry wrote of Plotinus ‘He showed, too, an unconquerable reluctance to sit to a painter or a sculptor, and when Amelius persisted in urging him to allow of a portrait being made he asked him, “Is it not enough to carry about this image in which nature has enclosed us? Do you really think I must also consent to leave, as a desirable spectacle to posterity, an image of the image?”’ Porphyry, ‘On the Life of Plotinus and the Arrangement of His Work’  in  The Enneads, Third ed. Abridged. Trans. S. MacKenna. London: Penguin, 1991, cii.

4. III,8,5

5. III,8,4. Compare with Plato on birth in Phaedrus. Also compare with Rorty on Aristotle’s notion of activity: ‘An activity can only be identified as such if it has been brought to its natural fulfilment: so, for instance, the activity of reproduction has not occurred unless an offspring has been produced…’ A. Oksenberg Rorty, ‘The Psychology of Aristotelian Tragedy’. Midwest Studies in Philosophy, XVI (1991), pp.70-71.

6. ‘… all things are a by-product of contemplation…the truest life is life by thought…’  III,8,8.

7. ‘… all things aspire to (the activity of) contemplation, and direct their gaze to this end – not only rational but irrational living things, and the power of growth in plants, and the earth which brings them forth…’ III,8,1. ‘…we must strike for those Firsts, rising from things of sense which are the lasts. Cleared of all evil in our intention towards The Good, we must ascend to the Principle within ourselves….It must be our care to bring over nothing whatever from sense, to allow nothing from that source to enter into Intellectual-Principle…’ VI,9,3.

8. ‘The Soul has a greater content than Nature has and therefore it is more tranquil; it is more nearly complete and therefore more contemplative. It is, however, not perfect, and is all the more eager to penetrate the object of contemplation, and it seeks the vision that comes by observation … it possesses its vision by means of that phase of itself from which it had parted.’ III,8,6.

9. Nietzsche believed that the artist of genius, inspired by the Dionysiac impulse, goes beyond physical phenomena and, through an inward vision, finds unity with the eternal One: ‘Only insofar as the genius in the act of artistic creation coalesces with this primordial artist of the world, does he know anything of the eternal essence of art; for in this state he is, in a marvellous manner, like the weird image of the fairy tale which can turn its eyes at will and behold itself; he is at once subject and object, at once poet, actor, and spectator.’ The Birth of Tragedy, (1872) Section 5, in F. Nietzsche, The Birth of Tragedy and The Case of Wagner, Trans. W. Kaufmann. New York, Vintage, 1967, p.52 and ‘…the tragic artist…creates his figures like a fecund divinity of individuation…and as his vast Dionysian impulse then devours his entire world of phenomena, in order to let us sense beyond it, and through its destruction, the highest artistic primal joy, in the bosom of the primordially One. The Birth of Tragedy, Section 22, in The Birth of Tragedy and The Case of Wagner, op. cit., p.132. The same religious belief in creativity was held by another extremely influential vitalist and Neoplatonic contemporary of Nietzsche’s – Bergson, whose best known work is titled Creative Evolution (1907).

10. III,8,4. See note 1. Superior to representational art with its referent in this world is the art of which it is desired to evoke, in the viewer’s ‘mind’ through contemplative ‘reason’, its referent in Intellect – the art of physical creation (resulting in the viewer’s critical appreciation of the work of another) contra the art of contemplative creation (in which the viewer is stimulated to complete the process, internally). On the determination of aesthetic value: ‘“Do you think that it will be a poor life that a man leads who has his gaze fixed in that direction, who contemplates absolute beauty with the appropriate faculty and is in constant union with it? Do you not see that in that region alone where he sees beauty with the faculty capable of seeing it, will he be able to bring forth not mere reflected images of goodness but true goodness, because he will be in contact not with a reflection but with the truth? And having brought forth and nurtured true goodness he will have the privilege of being beloved of God, and becoming, if ever a man can, immortal himself.”’ Symposium, 211a-212c.

11. ‘In proportion to the truth with which the knowing faculty knows, it comes to identification with the object of its knowledge. As long as duality persists, the two lie apart, parallel as it were to each other; there is a pair in which the two elements remain strange to one another, as when Ideal-Principles laid up in the mind or Soul remain idle. Hence the Idea must not be left to lie outside but must be made one identical thing with the Soul of the novice so that he finds it really his own. The Soul, once domiciled within that Idea and brought to likeness with it, becomes productive, active; what it always held by its primary nature it now grasps with knowledge and applies in deed, so becoming, as it were, a new thing and, informed as it now is by the purely intellectual, it sees (in its outgoing act) as a stranger looking upon a strange world. It was, no doubt, essentially a Reason-Principle, even an Intellectual Principle; but its function is to see a (lower) realm which these do not see.’ III,8,5. Compare with. Met., and De Anima 430a: ‘…(intellect) is itself thinkable just as the thought-objects are, for in the case of things without matter that which thinks is the same as that which is thought. For contemplative knowledge is the same as what is so known. …Each of the objects of thought is potentially present in the things that have matter, so that while they will not have intellect, which is a capacity for being such things without matter, the intellect will have within it the object of thought.’

12. V,8,9. Compare with Phaedo on Plato’s differentiation between the visible world and the true world ‘not in nature’, attainable by those who have purified themselves through philosophy (108a-114c), Ficino: ‘Therefore go ahead; subtract its matter if you can (and you can subtract it mentally), but leave the design. Nothing of body, nothing of matter will remain to you. On the contrary, the design which came from the artist and the design which remains in the artist will be completely identical.’ Ficino op. cit., pp.92-93, and Bergson’s method for bringing duration into consciousness: ‘Matter (separate from consciousness) thus resolves itself into numberless vibrations, all linked together in uninterrupted continuity, all bound up with each other and travelling in every direction like shivers through an immense body. In short, try first to connect together the discontinuous objects of daily experience; then resolve the motionless continuity of their qualities into vibrations on the spot; finally fix your attention on these movements, by abstracting from the divisible space which underlies them and considering only their mobility (that undivided act which our consciousness becomes aware of in our own movements): You will thus obtain a vision of matter, fatiguing perhaps for your imagination, but pure, and freed from all that the exigencies of life compel you to add to it in external perception. Now bring back consciousness…At long, very long, intervals, and by as many leaps over enormous periods of the inner history of things, quasi-instantaneous views will be taken, views which this time are bound to be pictorial, and of which the more vivid colours will condense an infinity of elementary repetitions and changes. In just the same way the multitudinous successive positions of a runner are contracted into a single symbolic attitude, which our eyes perceive, which art reproduces and which becomes for us all the image of a man running…The change is everywhere, but inward; we localise it here and there, but outwardly.’ Matter and Memory. (1896). Trans. N. Paul, W. Palmer. New York,1988, p.208.

13. III,8,8

14. ‘The Sage, then, has gone through a process of reasoning when he expounds his act to others; but in relation to himself he is Vision: such a man is already set, not merely in regard to exterior things but also within himself, towards what is one and at rest: all his faculty and life are inward-bent.’ III,8,7.

15. ‘What then, if one does not depart at all from one’s contemplation of it (eternity) but stays in its company, wondering at its nature, and able to do so by a natural power which never fails? Surely one would be (would one not?), oneself on the move towards eternity and never falling away from it at all, that one might be like it and eternal, contemplating eternity and the eternal by the eternal in oneself…eternity is a majestic thing, and thought declares it identical with the god…’ III,7,5.

16. Bergson believed that intuition probes the flow of duration, placing one within the object, giving an absolute.

17. V,8,11

18. VI,7,36

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The philosophy of Plotinus: part six

 

Movement and rest in ‘thought’, the most intense activity and stillness in unity

Plotinus called the grasp by Intellect of the immaterial object – their  immediate identity and unity – ‘intuitive thought’.

‘(Intellect)…is the level of intuitive thought which grasps its object immediately and is always perfectly united to it, and does not have to seek it outside itself by discursive reasoning: and we at our highest are Intellect, or Soul perfectly formed to the likeness of Intellect …’1

As with every aspect in his distinction between the universe of matter and the senses and the universe in Intellect, Plotinus made the logic of discursive reasoning (which he equated with sense perception) the deficient copy of intuition (dialectic) in Intellect.2

In order to use language, discursive thought has to consider things sequentially, it passes from one point to another, it endlessly divides.3 This is the method of description. Such reasoning is utterly inadequate to address the relationship between soul and the One – it is a hindrance to the love which desires beyond Form. Discursive thought is inseparable from the burden of sensory life. The need to reason thus results in a diminution of the independence of ‘thought’:

‘Does the soul use discursive reasoning before it comes and again after it goes out of the body? No, discursive reasoning comes into it here below, when it is already in perplexity and full of care, and in a state of greater weakness; for feeling the need of reasoning is a lessening of the intellect in respect of its self-sufficiency…’4

Dialectic is the method of Intellect. Dealing with the truths of the higher cosmos, it involves a surrendering to the illumination of God’s light in which Intellect ceases a

‘wandering about the world of sense and settles down in the world of intellect, and there it occupies itself, casting off falsehood and feeding the soul in what Plato calls “the plain of truth,” using his method of division to distinguish the Forms, and to determine the essential nature of each thing, and to find the primary kinds…and then, keeping quiet…it busies itself no more, but contemplates, having arrived at unity. It leaves what is called logical activity, about propositions and syllogisms, to another art, as it might leave knowing how to write…whatever is submitted to it it perceives by directing intuition…’5

Intuitive reasoning ‘is a static activity and a kind of reflection of Intellect…’.6 It is practised separate from the body, because the body would only impede its inquiry.7 It is an activity of our true self in which it moves with a motion which is not bodily but of its own life.8

The desire for a unifying intuition underlies Plotinus’ doctrine. Not only can we intuit being, Plotinus theorised on the direct intuition of the Good:

‘…our power is that of knowing the intelligible by means of the intelligence: but this Entity (the First Existent or The Good) transcends all of the intellectual nature; by what direct intuition, then, can it be brought within our grasp?’9

He answered:

‘But possess yourself of it by the very elimination of Being and you hold a marvel. Thrusting forward to This, attaining, and resting in yourself, seek to grasp it more and more – understanding it by that intuitive thrust alone, but knowing its greatness by the Beings that follow upon it and exist by its power.’10

He believed that any intuition, particularly that of the Good, depends on how much of what is being intuited we have within ourselves. An intuition is a ‘direct intellectual act’, an intellection of self. In being known, the subject is excluded.11 Soul therefore holds that act not as a memory in time, dependent on an external source, which memory can be easily lost, but as a possession of its eternal essence.12

In its intuition in Intellect, Soul looks first to what is a unity and then to what is multiple, to all that is.13 It possesses and becomes the totality of things, but imperfectly. It grasps not a pure unity, but

‘all the intellectual facts of a many that constitutes a unity. For since the object of vision has variety (distinction within its essential oneness) the intuition must be multiple and the intuitions various, just as in a face we see at the one glance eyes and nose and all the rest.
But is not this impossible when the object to be thus divided and treated as a thing of grades is a pure unity?
No: there has already been discrimination within the Intellectual-Principle; the Act of the Soul is little more than a reading of this.
First and last is in the Ideas not a matter of time, and so does not bring time into the Soul’s intuition of earlier and later among them. There is a grading by order as well: the ordered disposition of some growing thing begins with root and reaches to topmost point, but, to one seeing the plant as a whole, there is no other first and last than simply that of the order.’14

Plotinus defined ‘intuition’ as ‘knowledge with identity’.15 It is by such a method that Soul might attain the highest, and a complete unity with the One – in which it cannot distinguish itself.16 He made the greatest possible distinction between Soul’s intellection and the body’s sensory perception:

‘…the Soul is unfailingly intent upon intellection; only when it acts upon this image-making faculty does its intellection become a human perception: intellection is one thing, the perception of an intellection is another: we are continuously intuitive but we are not unbrokenly aware: the reason is that the recipient in us receives from both sides, absorbing not merely intellections but also sense-perceptions.’17

Consciousness is the reflection of the life of Intellect, through the soul’s engagement with body. Plotinus criticised conscious awareness as being

‘likely to enfeeble the very activities of which there is consciousness; only when they are alone are they pure and more genuinely active and living; and when good men are in this state their life is increased, when it is not spilt out into perception, but gathered together in one in itself.’18

Not all outside Intellect seek to attain it because the requisite motives are ‘reasoned’, but all look to the Good because it is before all ‘reason’.

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Notes

1. Armstrong, op. cit., vol. I, xxi

2. In the analogy of the Divided Line in Bk VI of the Republic, illustrating the relation between the two orders of reality and states of ‘mind’, Plato allowed knowledge by the direct apprehension (vision) of truth through Intelligence (Dialectic) or by Mathematical Reason. Belief and illusion function in the physical realm, giving mere opinion.

3. Plotinus believed that the language of numbers may help us to a direct apprehension of the realities of the intelligible universe and the One.

4. IV,3.18. In a most interesting sentence, implying a relationship between intuition and ‘pre-reason’, Plotinus wrote: ‘And again the reasoning thing is not of that realm: here the reasoning. There the pre-reasoning.’ VI,7.9.

5. I,3.4

6. IV,3.18

7. ‘But what about reasoning and intellect? These no longer give themselves to the body; for their work is not done through the instrument of the body: for this gets in the way if one uses it in rational investigations.’ IV,3.19. Plotinus wrote of his experience of descending from Intellect to discursive reasoning. IV,8.1.

8. Plotinus referred to this as ‘…the superior life of reason…’ III,4.6. Reason functions above chance. Cf. Bergson.

9. III,8.9

10. III,8.10

11. See following note.

12. ‘(A self-intellection is not)…something entering from without, to be grasped and held in fear of an escape…’ IV,3.25. ‘When we seize anything in the direct intellectual act there is room for nothing else than to know and to contemplate the object; the subject is not included in the act of knowing, but asserts itself, if at all, later and is a sign of the altered; this means that, once purely in the Intellectual, no one of us can have any memory of our experience here. Further, if all intellection is timeless – as appears from the fact that the Intellectual beings are of eternity, not of time – there can be no memory in the intellectual world, not merely none of earthly things but none whatever: all is presence. There; for there is no discursive thought, no passing from one point to another.’ IV,4.1.

13. IV,4.1. ‘…the unity of the Soul’s faculty (of intuition) is not incompatible with multiplicity in the object; it does no possess all its content in a single act of thought; each act is incomplete in itself, but all are being constantly exercised; the faculty is permanently there and its effects are external. The object itself is no unity and can therefore harbour a multiplicity which previously it did not contain.’ Ibid.

14. IV,4.1

15. IV,4.3

16. ‘Soul must see in its own way; this is by coalescence, unification; but in seeking thus to know the Unity it is prevented by that very unification from recognising that it has found; it cannot distinguish itself from the object of this intuition. None the less, this is our one resource if our philosophy is to give us knowledge of The Unity.’ VI,9.3. Plotinus distinguished between Soul’s understanding given by contemplation and Intellect’s apprehension of presence: ‘Wisdom and understanding consist in the contemplation of all that exists in the Intellectual-Principle, and the Intellectual-Principle itself apprehends this all (not by contemplation but) as an immediate presence.’ I,2.6.

17. IV,3.30

18. I,4.10

I will soon begin a series on the philosophy of the Neoplatonist Henri Bergson.